Cybernetics Revisited

by Andrew Pickering
Nov 10, 2017
The aim of this paper is to connect the history of art to its future via a political fantasy.
by Morten Sondergaard
Nov 10, 2017
In this paper, I argue that a prosthetic aesthetic instigated by experimental art practices operates with a ‘second nature’—in between science and art.
by Kuai Shen
Nov 09, 2017
0h!m1gas is an artistic research and audiovisual installation that approaches the self-organization in ants as a cybernetic system with emergent acoustic manifestations.
by Michael Nitsche and Andrew Quitmayer
Nov 09, 2017
M
A
This essay describes the design of a hybrid physical/digital system for claiming ownership of territory.
by Eunsu Kang, Donald Craig, and Diana Garcia-Snyder
Nov 09, 2017
D
D
This paper illustrates how the interface between human and the interactive audiovisual space affects the dancer’s choreography in two projects.
by Kevin Hamilton
Nov 09, 2017
K
This paper addresses the question of materiality’s role in historical cybernetic approaches to consciousness and being through a close reading of the Adaptive Reorganizing Automaton.
by Steven Barnes and Carlos Castellanos
Nov 09, 2017
S
C
This essay discusses Biopoiesis, a cybernetic art project that explores the relationships between structure, matter, and self-organization.
by Mark Bokowiec
Nov 08, 2017
M
This paper looks at the technical and compositional methodologies used in the realization of V’Oct(Ritual) (2011), with particular reference to the choices made in the mapping of sensor elements in various spatialization functions.
by Howard Boland
Nov 08, 2017
H
Stress-o-stat is a living artwork that visually captures stress in bacteria as light.
by Budhaditya Chattopadhyay
Nov 08, 2017
If the artist does not remain a listener, but instead registers their presence in the phenomenological development of the artwork by intervening, the outcome can transcend mere impression of the space and become a critical reflection of the relationship between artist and city.
by Guilherme Kujawski
Nov 08, 2017
This paper looks at the practices of artists, who, in different ways, explore the workings of emergent circular causalities in the animal and the machine.
by Martin Reiche and Ulrich Gehmann
Nov 08, 2017
M
U
This essay examines the belief that abstract representations of worlds are the world, a process we have named the cybernetics of augmentation.