Cybernetics Revisited

In this paper, I argue that a prosthetic aesthetic instigated by experimental art practices operates with a ‘second nature’—in between science and art.

0h!m1gas is an artistic research and audiovisual installation that approaches the self-organization in ants as a cybernetic system with emergent acoustic manifestations.

This essay describes the design of a hybrid physical/digital system for claiming ownership of territory.

This paper illustrates how the interface between human and the interactive audiovisual space affects the dancer’s choreography in two projects.

This paper addresses the question of materiality’s role in historical cybernetic approaches to consciousness and being through a close reading of the Adaptive Reorganizing Automaton.

This essay discusses Biopoiesis, a cybernetic art project that explores the relationships between structure, matter, and self-organization.

This paper looks at the technical and compositional methodologies used in the realization of V’Oct(Ritual) (2011), with particular reference to the choices made in the mapping of sensor elements in various spatialization functions.

Stress-o-stat is a living artwork that visually captures stress in bacteria as light.

If the artist does not remain a listener, but instead registers their presence in the phenomenological development of the artwork by intervening, the outcome can transcend mere impression of the space and become a critical reflection of the relationship between artist and city.

This paper looks at the practices of artists, who, in different ways, explore the workings of emergent circular causalities in the animal and the machine.

This essay examines the belief that abstract representations of worlds are the world, a process we have named the cybernetics of augmentation.