Lanfranco Aceti works as an artist, curator, and academic. He is the director of Arts Administration at Boston University. He has done a range of exhibitions and public space interventions at renowned international venues including Tate Modern, MoMA, and the ICA London among others. He is Editor in Chief of the Leonardo Electronic Almanac (MIT Press, Leonardo journal), for which he has edited more than twelve volumes. He has lectured internationally at prestigious institutions such as Yale, Harvard, RCA, Goldsmiths, and Central Saint Martins. He worked as the director of Kasa Gallery in Istanbul, where he exhibited a range of innovative artworks including 75Watts by Revital Cohen and Tuur Van Balen, acquired by MoMA and Paolo Cirio’s Loophole4All, awarded the 2014 Golden Nica at Ars Electronica. Recently he performed and curated Hope Coming On at the Museum of Fine Arts Boston, as well as The Small Infinite at the John Hansard Gallery with artworks never previously exhibited from the estate of John Latham. Lanfranco Aceti has participated in numerous art fairs such as Art Athina, Art International, Supermarket, and Contemporary Istanbul, either as a curator or as an artist. In 2011, he curated the exhibition Uncontainable as part of the parallel events of the 12th Istanbul Biennial and exhibited artworks on the media facade of the Museum of Contemporary Art, Zagreb. He has exhibited numerous personal projects including Car Park, a public performance in the UK; Who The People? an installation artwork acquired in its entirety by Chetham's Library and Museum in Manchester; and Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus. As of 2017, Aceti has been asked to curate and prepare a series of exhibitions and projects including a large performance entitled Accursed for the Thessaloniki Biennial in Greece.
You can view his website here.